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PROJECT 3
INTERPRETATION AND REPRESENTATION
principles, tectonics and sensory
brief
To deconstruct the tectonic structure from Project 2, identify design element and principles and the re-explore the chosen banal action as the design intention. Through reinterpretation, design a poetic architectural space that provides a narrative journey and sensorial experiences. The final design should be a culmination of all topics learnt in the previous projects.
outcome
monochromatic interpretive model within a 20m3 volume (scale 1:10-1:20) using various materials
orthographic drawings plan (1), elevation (2) and section (1). (scale 1:10-1:20, same as model)
exploded axonometric drawing
tectonic details (2). (scale 1:2-1:5)
2 monochromatic A4 sized architectural abstract drawings
4 monochromatic A6 sized tattoo stamps (diagrams) in landscape form
Narrative
In current times, people have adopted sedentary lifestyles which can cause health issues commonly back strain. To oppose this type of lifestyle it is recommended to change positions frequently (i.e. moving around).
I aim to create a structure that encourage people to move between seating periods.
Deconstruction
In Project 2, the banal action chosen was SITTING with varied types being showcased by the 3 seating modules. Through the rotation of the same form to create the structure I was able to identify the design element and principle being SPACE and MOVEMENT respectively.
Ergonomics Study
In relation to the narrative of combating a sedentary lifestyle, I have researched that the ideal sitting posture is at an angle of 135° compared to the more well known idea of sitting at a 90° angle (sitting up straight). However is it is a misconception as sitting at a right angle causes extra stress onto the lower back, leading to health issues. With that, I have explored different ways of seating which includes the 135° angle.
User Experience
I have taken inspiration from existing structures to guide me to implement the narrative into the design. From the Danish Pavilion by BIG, the circulatory form inspired the circular radial shape of my design, as it enables the user to experience a continuous journey within the 20m3 volume. From the Harbour Kiosk by LAAB architects, I have applied similar fins to the design of my structure as it encourages movement to the user.
The user enters through the smaller opening at the southern part of the structure which leads them to a small space that forces them to bow their head. The space includes a seat that encourages a leaning-like posture. These factors creates an uncomfortable feeling for the user which enables them to move to the other space. The succeeding space is enlarges its space gradually and consisting of a more common seating posture. The final space contains the largest space and a relaxing seating posture that is similar to lying down, which acts as a reward for the user for completing the journey. The user then exits through the other opening and chooses whether to redo the journey or leave the structure.
Besides from the circular form, the fins incorporated into the structure give a sense of rhythm and movement, which directs the user on their journey. The slits on the facade of the structure is an evolution from the perforation used in the Danish Pavilion and allows natural light to enter throughout the structure to encourage the user to sit in the various seating positions. It then gradually moves to the roof of the structure so that light is able to face the user in the seats. Timber (specifically red balau wood) is mainly used in the structure due it being more inviting to the user as a material, as well as its sustainable characteristics with it being cost effective, light in weight and high durability. I was inspired to use this material due to it being present in the construction of the Harbour Kiosk. The other material, steel is used in the joinery of the structure.
floor plan
south elevation
west elevation
section (A-A')
joinery detail
exploded axonometric
tattoo stamps (diagrams)
architectural abstracts
presentation slides
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